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DTSTART;TZID=America/Chicago:20261129T193000
DTEND;TZID=America/Chicago:20261129T220000
DTSTAMP:20261104T195049Z
CREATED:20261104T193712Z
LAST-MODIFIED:20261104T195049Z
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SUMMARY:DRAMATURGAS CHILENAS: A Staged Reading and Dicussion
DESCRIPTION:A teenage girl as she confronts her sexual identity\, and the conservative adults in her life\, while being targeted by an online scandal.\n\n\nPlease join us for a staged reading of scenes from Sentiments by Carla Zúñiga M.\, in a new English-language translation by Susan E. Bowen and Yael Prizant. Set in 2013 Santiago\, Chile\, Zúñiga’s play considers a teenage girl as she confronts her sexual identity\, and the conservative adults in her life\, while being targeted by an online scandal. \n \nThe reading will be followed by a conversation about Dramaturgas Chilenas: Plays by Chilean Female Writers in the Early 21st Century (Methuen Drama\, 2026) a collection of five new\, English-language translations of works by prominent and award-winning\, female playwrights from Chile\, moderated by Anne García-Romero. \n \nThis event is co-sponsored by The Understudy and the College of Arts and Letters at the University of Notre Dame. \n \nCast \nNelly María Charín Álvarez \nMaría Teresa Sandra Delgado \nMiss Francisca Meighan Gerachis \nPato Piñata Liam Bouza Díaz \n\n\nPlaywrights: \n \nXimena Carrera is a Chilean actor\, playwright\, producer\, screenwriter and teacher. In 1997\, she founded the theatre company\, The Trumpet\, with actor and director Sebastián Vila. Her works include Por encargo del olvido\, Naturaleza Muerta\, Medusa\, and Ningún pájaro canta por cantar. She’s the 2010 winner for Best Play from the Chile Drama Critics Circle. \n \nNona Fernández is a Chilean actor\, playwright and novelist. Her plays include El Taller\, winner of the 2012 Altazor y Nuez Martín prizes\, Liceo de niñas\, and Paren la Música\, winner of the 2021 Best Play from the Chilean Drama Critics Circle. Her award-winning novels include Mapocho\, Space Invaders and Chilean Electric. \n \nLeyla Selman is a Chilean actor\, poet\, and playwright. She is a member of the Colectivo Frío\, a collective focusing on art\, theatre and film. Her plays include El mejor truco de magia jamás visto\, Ifigenia\, Otra Muerta Anunciada\, La Ciudad de la Fruta and Los Ojos de Lena. She’s the 2024 winner for Best Play from the Chile Drama Critics Circle. \n \nIsidora Stevenson is a Chilean playwright\, director and teacher. Her works include Campo\, Hilda Peña\, Réplica\, Guerra\, Bernarda\, El nudo\, Informe de una mujer que arde\, Soledad Escobar\, Niebla\, Mi corazón es un ancla\, Fin\, and Amanda Labarca. She’s the 2014 winner of the Chile National Theater Festival. \n \nCarla Zúñiga M. is a Chilean actor\, playwright and teacher. In 2012\, she founded the company\, La Niña Horrible\, with Javier Cassanga. Her works include Sentimientos\, La trágica agonía de un pájaro azul\, and El amarillo sol de tus cabellos largos. She’s the 2020 winner for Best Play from the Chile Drama Critics Circle. \n \nTranslators: \n \nSusan E. Bowen is a director\, translator and devisor. She has served as Artist in Residence at the Pritzker Pucker Studio Lab at Northwestern University\, and as the Workshop Coordinator for the Physical Theater Festival Chicago. Susan has trained with Adam Versényi\, Wynn Handman\, and SITI Company. She holds an M.F.A. in Directing from Northwestern University\, and a B.A. in Spanish from the University of North Carolina at Chapel Hill. \n \nConstanza Brieba is a Chilean director\, actor\, translator and arts administrator. She studied at the London Academy of Music and Dramatic Arts. She has served as a theatrical translator in Chile for the British Council\, the North American Institute of Culture and the French Institute of Culture. Her theatrical translations have been produced in Chile\, England and Switzerland. \n \nYael Prizant is an adapter\, translator\, devisor\, and dramaturg. She holds a Ph.D. in Theatre\, an M.F.A. in Dramaturgy and has taught at UCLA\, the University of Notre Dame\, and Johns Hopkins SAIS. Her book\, Cuba Inside Out: Revolution and Contemporary Theatre\, investigates effects of politics and globalization on the stage. She has translated works of Cuban playwrights and is the dramaturg for Máscaramentos at the Universidade Federal de Rio Grande do Sul in Brazil. \n \nAlexandra Ripp is a dramaturg\, translator and arts administrator. She has worked at the International Festival of Arts and Ideas\, Carolina Performing Arts\, Five College Dance\, and most recently with movement-based artist nora chipaumire. She served as co-editor of Imagined Theaters: Chile. She holds an MFA and DFA from the David Geffen School of Drama at Yale University. \n \nAndrea Thome is a Chilean/Costa Rican-American playwright and translator. Recent plays: Fandango for Butterflies (and Coyotes); Cymbeline (modern English ‘translation’); A Dozen Dreams (installation); Pinkolandia (multiple U.S. productions; translated into Russian). Spanish-English translations include Guillermo Calderón’s Neva (Public Theater\, CTG) and Rodrigo García’s You Should Have Stayed Home\, Morons (Radar LA). \n \nEditors: \n \nDr. Coca Duarte is an Associate Professor and Associate Dean of the Pontifical Catholic University of Chile School of Theatre. She’s the author of Writing the Scene\, Tracing the Present: Dramatic Strategies of the Chilean Theater 2007-2017 (2023). Her plays include Juana de Arco\, Mala Leche\, Mal and Plaga. \n \nDr. Anne García-Romero is Professor of Theatre at the University of Notre Dame. She’s the author of The Fornés Frame: Contemporary Latina Playwrights and the Legacy of María Irene Fornés (2016). In 2018\, she received a Luksic Foundation grant to teach in Chile. Her plays include Paloma\, Juanita’s Statue\, Earthquake Chica\, and Santa Concepcíon. www.annegarciaromero.com \n \nDr. Inés Stranger is Professor of Theatre at the Pontifical Catholic University of Chile School of Theatre. She’s the author of Playwriting Notebook: Theory\, Technique and Exercises (2011). Her plays include Cariño\, Malo\, Malinche and Tálamo. She received the Fondo del Libro award from Chile’s Council on Art and Culture.
URL:https://theunderstudy.com/event/dramaturgas-chilenas-a-staged-reading-and-dicussion/
LOCATION:The Understudy Coffee and Books\, 5531 N Clark St\, Chicago\, IL\, 60640\, United States
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DTSTART;TZID=America/Chicago:20261130T193000
DTEND;TZID=America/Chicago:20261130T213000
DTSTAMP:20261104T195046Z
CREATED:20261104T193713Z
LAST-MODIFIED:20261104T195046Z
UID:10000301-1796067000-1796074200@theunderstudy.com
SUMMARY:YOGA PLAY by Dipika Guha
DESCRIPTION:A play reading of YOGA PLAY by Dipika Guha produced by Exit\, Pursued by a Play Reading.\n\n\nJoan has been hired to stabilize Jojomon\, a yoga apparel giant\, after its CEO is brought down by a fat-shaming scandal. But just as she finds her stride\, more trouble surfaces and sales plummet. Joan comes up with a plan so risky that it could make or break the company and her career—and what it requires from her CFO\, Raj\, is far beyond the call of duty. This sharp comedy asks what it takes to find your own authenticity in a world determined to sell enlightenment. \n \nCASTJOAN : Katy SullivanRAJ : Anand (Andy) NagrajFRED : Matthew C. YeeJOHN DALE / GURUJI : Scott AielloROMOLA / LUCY / LAUREN LILLY CLARK: Andrea San MiguelMR. KAPOOR/ ALAN CARR / STAGE DIRECTIONS : Ben MathewMRS. KAPOOR / NOOYI : Preeti Thaker
URL:https://theunderstudy.com/event/yoga-play-by-dipika-guha-2/
LOCATION:The Understudy Coffee and Books\, 5531 N Clark St\, Chicago\, IL\, 60640\, United States
ATTACH;FMTTYPE=image/jpeg:https://theunderstudy.com/wp-content/uploads/2026/11/ed09688ad9120891c8a61bc2fb5976f5-FghczD.tmp_.jpg
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